Attack by Siegfried Sassoon is a descriptive and confronting poem about the reality of war. Attack builds suspense and has an emotional impact on the reader most probably because Siegfried Sassoon participated in World War One himself. The poem builds up line after line and concludes with uncontrollable fear and anxiety, emotions that probably raged rampantly in the battlefield. This poem has been analysed separately by two members of the PoemAnalysis.
The following entry presents an overview of Sassoon's career through One of the most compelling soldier-poets of the First World War, Siegfried Sassoon is best known for his graphic, often shocking portrayal of trench warfare during World War I and the withering psychological distress it imposed upon its combatants.
His bitterly realistic depictions of cynical soldiers railing against the war effort, particularly the ignorant citizenry, government, and religion that promoted it, contrasted sharply with contemporary literature characterizing battle as a chivalrous national duty.
Biographical Information Born in Brenchley, a county of Kent, England, Sassoon was the second of three sons of Alfred Sassoon, the scion of wealthy Jewish merchants, and Theresa Thornycroft, a member of a prominent landowning family distinguished by its artistic talent.
Her grandfather, parents and brother were noted sculptors, another brother a prestigious architect, and Theresa and her sisters were artists. Despite the Thornycrofts' prominence, Alfred Sassoon's mother disowned him for marrying a gentile and refused to have anything to do with his wife and children for the rest of her life.
Educated at home as a boy, Sassoon studied at Marlborough College for three years and attended Clare College, Cambridge University, where he first privately published his own poetry. Disinterested in his studies, Sassoon left Cambridge after only two years, returning to his family home in Kent to lead a country gentleman's life of leisure.
He continued to write and publish his own poetry, receiving encouragement from his mother's friend, editor Sir Edmund Gosse.
Sassoon began to move in literary circles in London where he first met Rupert Brooke, a poet who influenced Sassoon's wartime work.
Sassoon joined the army in and the next year was sent to the trenches as an infantry officer where he met Robert Graves, who became his friend and role model.
In Sassoon was awarded the Military Cross for dragging a wounded man to safety under heavy fire and for single-handedly capturing a German trench during the Battle of the Somme.
These political connections combined with his war experience convinced Sassoon that the war was no longer justified and should end. He wrote a public letter of protest in which he refused to fight anymore and accused the British government of unnecessarily prolonging the war.
The letter was read aloud in the House of Commons and widely distributed across Britain. Sassoon narrowly avoided court-marital through the intervention of Graves, who convinced military officials that Sassoon was suffering from shell-shock. He was conveyed to a military hospital in Craiglockhart, Scotland, where he received psychiatric treatment from Dr.
Rivers and wrote some of his most powerful war poems. However, overcome with guilt at leaving his comrades, Sassoon returned to the war in but was finally sent home later that year after receiving a serious head wound.
After the war, Sassoon briefly worked as the literary editor of the leftist Daily Herald and campaigned for the Labour Party. In Sassoon married Hester Gatty, with whom he shared a son, George, before separating permanently a decade later.
Sassoon converted to Catholicism in and spent the last decade of his life concerned with religious and spiritual matters. Much of Sassoon's lyrical, pre-war verse features romantic themes, pastoral imagery, and pagan iconography, linking him with other Georgian poets of the early twentieth century.
However, the tone and outlook of Sassoon's poetry changed dramatically after he witnessed action in the trenches. As he became well acquainted with the bleak reality of combat, his writing became a vehicle of trenchant protest against the war and its horrors.
He used his verse to condemn the hypocrisy of the citizenry on the home front who, oblivious to the real suffering of the soldiers, continued to celebrate the war. These poems are short, satirical, and often sarcastic. The gruesome imagery of carnage and filth in his poetry underscores the unromantic reality of life in the trenches.
Sassoon also employed slang, oaths, and colloquial expressions to talk about serious issues, devices unusual in poetry at that time.
Sassoon focuses on the contrast between the pastoral estate life of his hero and the psychic journey he takes to a new world created by the war. Sassoon continued to write poetry in the last decades of his life, focusing on religious and spiritual themes.
Critical Reception Sassoon's war poetry is generally regarded as the highlight of his career.Sep 20, · Best Answer: In this poem I am going to analyse the vision of war that its author, Siegfried Sassoon had. This poem reflects the war effects and consequences that the war was.
This poem is very strong emotionally because it explains the disasters that war provokes above all in ashio-midori.com: Resolved. Siegfried Sassoon was an eminent English poet, writer, and soldier.
Siegfried was born and grew up in the neo-gothic mansion named "Weirleigh" in Kent. Siegfried was the second of three sons, the others being Michael and Hamo.
Siegfried Sassoon is best remembered for his angry and compassionate poems of the First World War, which brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirized generals, politicians, and churchmen for their incompetence and blind support of the war.
Siegfried Loraine Sassoon, CBE, MC (8 September – 1 September ) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World ashio-midori.com poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled ashio-midori.come works: The Complete Memoirs of George Sherston.
Analysis Siegfried Sassoon’s poem ‘Does It Matter?’ is a sensitive poem of which questions society of issues from war. The poem is brief, consisting of 3 stanzas with 4 lines each, there is a rhyming pattern throughout, and most lines even have an equal number of syllables. Nov 15, · Sassoon first gained a measure of literary recognition with the publication of The Daffodil Murderer （）, a parody of John Masefield's narrative poem The Everlasting Mercy.